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Neal Morse Band: Killer melodies

Neal Morse Band - The Great Adventure

The Great Adventure has everything that fans would expect from a Neal Morse Band album and even more! Morse and co.delivers prog rock but metal, classical and jazz elements appear throughout the album, as well as some killer melodies, all played faultlessly by some real great musicians. The tittle track,

The band, Neal Morse on lead vocal, keyboards and guitars. Mike Portnoy om drums and vocal, Randy George on bass. Bill Hubauer on keyboards and vocals. Eric Gilette on guitars and vocals. Four vocalist therefore! With such talented vocal singers, it offers many opportunities when the music is to be composed. Morse has taken full advantage of this on the new record.

Let the great adventure now begin was the closing lines of The Neal Morse Band’s last and widely acclaimed 2016 album The Similitude Of A Dream (TSOAD), have proved to be strangely prophetic! The band faced the enviable problem like Pink Floyd, The Eagles and many other great bands before them of having to follow up a hugely successful album, as drummer Mike Portnoy explains, «How do you follow an epic double concept album??? Well, create another epic double album!! I always knew topping The Similitude Of A Dream was going to be difficult, if not impossible, as I held it in such high regard, but I am absolutely blown away with what we have achieved here! We’ve created the ultimate companion to TSOAD».

Vanity Fair from the new album,

The new album appropriately entitled The Great Adventure is a perfect companion piece to TSOAD’s partial retelling of John Bunyan’s The Pilgrim’s Progress. Morse admits that the band’s original intentions on re-entering the studio were largely to produce something very different from what has resulted. However, as the writing and recording process unfolded, it gradually became clear to the band that the unerring direction in which the music was heading was to build upon the work already completed in TSOAD, again using the space that the broader canvas of the double album format provides. Bassist Randy George explains, «I was sure that the follow up to TSOAD should be something quite different, but you have to follow your heart and go where the music wants to go».

True to the album’s title, the creative process was indeed a great adventure. Unlike many previous Morse albums, which have often been recorded in around a week, as many as 21 days of initial recording were laid down by these prolific and world-class musicians, producing an abundance of top quality material, enough for an album lasting well over two hours. This meant some ruthless decision-making, some already completed songs and characters had to go, and with studio time running out, new links and ideas were being composed and recorded up to the eleventh hour.

«A lot of work and re-work has gone into this, says Morse, but I know that some of the most successful and far-reaching albums I’ve been involved with have been just like that, Sola Scriptura and Spock’s Beard’s Snow album come to mind».

Velcome To The World from the above mentioned album

Another key question that had to be addressed was how to pull all the ideas together into a coherent whole. In the end, what unlocked this adventure for Morse was the realization that The Great Adventure needed a new voice and perspective. This time, it is that of the Pilgrim’s abandoned son, a younger, perhaps angrier, voice than was heard on TSOAD, as George explains, «The Great Adventure is nothing short of a miracle: it’s similar to TSOAD in concept and form, but it’s tougher and deeper in tone! It’s a very powerful work and I look forward to playing it live! ».

Morse says, «This band continues to amaze me! I have to say it was a little daunting to follow up The Similitude Of A Dream, as it was such a special album and it delivered every night at our concerts.  But The Great Adventure is everything that I hoped it would be! I listened through it yesterday and I was in tears at the end!».

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Om Ulf Backstrøm (2096 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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