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Voivod: With a remarkable video-clip……

Voivod – The End Of Dormancy

Voivod states, «July 10th we’re releasing a 3-track 12″ Vinyl & Digital EP entitled The End Of Dormancy via Century Media Records.This is our exclusive live version recorded at MTL Jazz Fest in 2019 with the addition of another special Metal Section».

A remarkable video-clip for The End Of Dormancy (Metal Section), directed by Syl Disjonk (who previously created the clip Kluskap O’ Kom for VOIVOD) and produced by Igor Simonnet. The track is from latest album The Wake with added trumpets, saxophone and trombones.

Voivod`s guitarist Daniel Chewy Mongrain checked in with the following comment about The End Of Dormancy and its special Metal/Brass Section version: «I initially wrote the opening riff of the song on tour, outside, behind a club in Germany on a sunny day and recorded right away. It had that Quartal Harmony over a pedal point that to me evoke soundtracks of classic roman movies when you hear the brass (Lituus, Cornu and other instruments).

It has a military and solemn vibe to it. When In 2019 we had the honor to be invited to play the Montreal International Jazz Festival, we all thought we could do something special in the context. I had the Idea to do a brass arrangement and add in an extra open improvised Sax Solo section which doesn’t exist in the studio version».

«I started to write and was able to finish the arrangement in time for the rehearsal but it was sooo much work that I could only do one song. We hired top players of the Montreal scene, they were very excited to be part of it. It’s not every day that a brass section plays with a metal band so it was as exciting for them as it was for us! We had one rehearsal and it worked perfectly! Then we played the show and the crowd went totally nuts!!! You can hear it on the live version: It was a great moment for everyone and we had a real blast! The live version is also on the EP, but will not be on the upcoming live album Lost Machine, since that was recorded during a different show…».

«When the video idea of that song came up, I thought, we could record the brass over the studio version and make the video version unique, and share this version with the rest of the world, giving something special to the fans and immortalize the brass arrangement at the same time. So, I just cut out the improvised section that was in the live arrangement and we could time a studio session with all the same guys».

«Francis Perron (RadicArt Studio), who recorded and mixed The Wake, brought his gear and recorded it, then remixed the song. It was an amazing experience, a great challenge for me to write each parts and conduct it. I don’t do that often, so it was a lot of work and I’m very happy with the result, it adds that extra empire, military, roman paddle boat war feel like in the old Ben Hur movie, with the acceleration of the music and intense and stressful emotions that fits the song lyrics perfectly. I’m so proud and happy to play in VOIVOD, as we can try this kind of madness projects and everybody in the band gets excited and motivated to do new things. It’s so fulfilling. I hope this feeling transpires into the music and that the signal gets to the receiver’s frequency!». The track Iconspiracy from the above emntioned album Wave.

Voivod`s vocalist Denis Snake Belanger acts as screenwriter for the video clip and checked in adding the following: «I must say that we had some hesitations regarding the timing of release for this very special video clip. The shoot took place in November 2019 and the scenario is pure science-fiction, but we were concerned the imagery might be insensitive in these pandemic times. In the end, we decided to proceed as planned. Speaking of sci-fi, the documentary called “The Creeping Garden” had a big influence on me and was a great source of inspirations for the concept. A must watch. The slime molds are amazing creatures and will use ingeniosity to survive. And so are humans…we’ll get through this!».

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Om Ulf Backstrøm (4269 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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