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John Petrucci: Explore the melodic/thematic side, the riffing side, and the shred side!

John Petrucci – Terminal Velocity

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John Petrucci is the guitarist and a founding member of the progressive metal band Dream Theater. In my humble opinion Petrucci is one of the best guitar players in the world!

John Petrucci announces the forthcoming worldwide release of his second all-instrumental solo album, Terminal Velocity, the first solo album by the Dream Theater guitarist to be released in 15 years. The album will be released through The Orchard Music on his Sound Mind Music record label on all digital and streaming platforms on August 28th and on CD and Vinyl on Oct. 30th.

Terminal Velocity was written and produced by John Petrucci, recorded by James Jimmy T Meslin and mixed and mastered by Andy Sneap (Judas Priest, Killswitch Engage, Arch Enemy). The artwork was created by Sean M. Smith at Echo Designlab (Stone Sour, Hollywood Undead, In This Moment).

The album sees the return of bassist Dave LaRue (Dixie Dregs, Flying Colors) who played on Petrucci’s debut solo album and subsequent G3 tours, as well as, an eagerly anticipated reunion with former Dream Theater drummer Mike Portnoy (Transatlantic, Winery Dogs, Sons Of Apollo). «It was awesome bringing Dave back to play bass on this album. He is just such a monster player who can handle anything you throw at him with tastefulness and unmatched musicality. His melodic approach to bass lines along with impeccable technique and groove for days really stands out on these tunes».

Portnoy’s appearance on Terminal Velocity marks the first recording of the guitarist and his former bandmate in over a decade and the first since Portnoy left the band in 2010. «Having Mike play drums on this record was really special for me and he did an absolutely incredible job navigating the various styles and technical challenges my music presented in the way that only he can do. It was very cathartic for the both of us, I think, to be playing music together again after all these years and it really felt great! Mike’s spirited, intuitive and energetic playing truly helped to elevate these new songs to a level that I couldn’t be happier with». The title track Terminal Velocity,

John Petrucci on the track and video: «Terminal Velocity was actually the first new song that I wrote for the album when I entered the studio in March of this year. It stemmed from one of the many ideas and seeds that I had collected over the past several years. I literally began with the opening motif and built the rest of song from there. I think it’s a great lead-off single and nicely represents a few of the different stylistic sides of this record that I wanted to explore as a guitar player; The melodic/thematic side, the riffing side, and the shred side».

«Mike and Dave both did an amazing job bringing this song to life as well, with all of the energy that they injected when recording their performances».

«The video was created by Wayne Joyner who made all of the promotional videos for Dream Theater’s Distance Over Time album as well as all of the 2019/2020 DT live tour visuals including all of the updated Scenes From A Memory video content. The tracking footage of me, Dave and Mike in the studio has a play-through sort of vibe while Wayne did his magic adding amazing 3-D graphics and special visual effects to help tell a story. I think the end result is a really unique and engaging video that captures the song’s energy and definitely does the first single justice. Really excited for people to see and hear this!».

In the beginning of March 2020 while the COVID-19 global pandemic was unrelentingly reeking it’s havoc on the world and especially NY, John Petrucci started working on the music that would make up Terminal Velocity at the DT Headquarters on Long Island with engineer Jimmy T at the helm. All Dream Theater touring for the rest of the year was either being cancelled or postponed and even though I had already planned on starting the project this Spring, I suddenly found myself with many unanticipated months at home.

«Jimmy T and I would head into the DTHQ 5 days week for about 2 and a half months and, as I wrote and constructed the new tunes, he was right there capturing it all and turning it into a record. Initially, we programmed drums and shared bass playing responsibilities just to get the ideas to a place where they sounded like completed and cohesive songs but we always anticipating that ‘work in progress’ drums and bass would eventually be replaced».

The 9 songs on Terminal Velocity showcase John Pertucci’s affinity for writing tightly-weaved guitar instrumental powerhouses that feature everything from monster riff breaks to passion-filled melodic themes worthy of film soundtracks, to all-out shred extravaganzas that leave the listener feeling like they just stepped off of a thrilling musical roller coaster ride. “Much like the songs on my first solo album, Suspended Animation, I wanted the new tunes to really showcase what I’m all about as a player and to give an up-to-date depiction of where I am musically and how I like to express myself on the instrument. It’s about capturing the attitude of the performances and of course as always, very much about capturing the tone that I’ve worked so hard over the years to develop and refine.

Although a few of the songs that make up Terminal Velocity were actually written quite a long time ago and even played live but never properly recorded, over half the album’s content is new music that John created while in the studio during the quarantine. «I believe that making this record when I did really helped me to maintain a sense of stability and normalcy during such a crazy time in our history.” “It was encouraging for me and my family to embrace something so hopeful and positive as we faced a very uncertain future in the music industry and in the world and for that, I am truly grateful for having music be such a big part of my life».

Petrucci’s debut solo album, Suspended Animation, originally released in 2005 on his Sound Mind Music label, was recently made available on all digital and streaming platforms for the first time through The Orchard Music. The album features Dave LaRue on bass and Dave DiCenso and Tony Verderosa on drums.

John Petrucci is best known as the guitarist, producer, lyricist and founding member of the two-time Grammy nominated progressive metal band Dream Theater as well as the guitarist and founding member of the acclaimed Liquid Tension Experiment. As a solo artist, John is a long-standing veteran of Joe Satriani’s G3 tours along with Steve Vai, Eric Johnson, Paul Gilbert, Steve Morse and Steve Lukather.

In 2019 John Petrucci was voted #1 guitarist in the UK’s Prog magazine reader’s poll, named Guitarist Of The Year in Spain’s Mariskal Rock magazine, voted #1 Prog Guitarist In The World Today by Music Radar, received the Chris Squire Virtuoso Award at the 2019 Progressive Music Awards as well as the prestigious SENA Performer’s European Guitar Award and in 2020 John Petrucci was voted the #1 Guitarist in Japan’s BURRN! Magazine reader’s poll.

Throughout his career, John Petrucci has spearheaded the research and development of numerous signature guitars and guitar related gear with some of the most successful and respected musical instrument manufactures in the world including Ernie Ball Music Man, Mesa Boogie, DiMarzio, Dunlop and TC Electronic. In a 2015 interview, EBMM CEO Brian Ball called John’s signature guitar“the number two selling signature guitar on the planet – and that’s only behind Les Paul, which is still considered a signature guitar.  

In 2017 and 2018 John Petruccci hosted the very successful John Petrucci’s Guitar Universe and JPGU 2.0 guitar camps respectively where guest instructors included Tony MacAlpine, Rusty Cooley, Andy James, Tosin Abasi, Andy McKee, Jason Richardson, Devin Townsend, Al Di Meola, Guthrie Govan, and Jon Finn along with Mike Mangini and Dave LaRue. JPGU 3.0 is scheduled for July of 2021 and along with JPGU veterans Tosin Abasi and Jason Richardson will add brand new camp instructors including Rena Petrucci, Tom Quayle, Andy Wood, Mateus Asato, Kiko Loureiro, Plini and Joscho Stephan.

Dream Theater’s 2019 release Distance Over Time was voted Album Of The Year in Japan’s BURRN! magazine reader’s poll, #1 Album Of The Decade in Guitar World’s 2019 reader’s poll and the band was named International Band Of The Year at the 2019 Progressive Music Awards in London.

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Om Ulf Backstrøm (4480 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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