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Vanilla Fudge: With new album next year!

Vanilla Fudge – Immigrant Song

Vanilla Fudge is a US proto prog band founded in 1967, but they disband in 1970 but have reunited several times, and now they are back again. Golden Robot Records will 22 September 2020 release Vanilla Fudge remastered cover of Led Zeppelin’s Immigrant Song.

Mark Stein is one of the founders of the band and he states, «Immigrant Song by Led Zeppelin is one of the monster tracks of all time. How do you top that? Well, you can’t but we decided to just have fun with it. I came up with this On Green Dolphin Street kinda chord progression as the intro on the synth with a heavy-duty brass sound that worked pretty well. The guys fell into it right quick and it rocks the house. Carmine Appice did a great job with the drum track and Tim Bogert and Vince Martell killed it. I did the vocals in Florida and sent it back to Carmine Appice in Los Angeles and he mixed it. Hope you dig it».

Mark Alexander-Erber (President & Founder / Golden Robot Global Entertainment Group) states, «GRR is honored to have such a classic band on the label, considering they had the main song You Keep Me Hangin On in the recent Quentin Tarantino movie Once Upon A Time In Hollywood, it shows you their legacy will continue for some time yet. We are excited to release the new remastered Led Zeppelin and Supremes albums over the next 12 months».

Vanilla Fudge will also be releasing a new album in 2021, The Supreme Vanilla Fudge, which will see them re-work 10 songs from the legendary The Supremes done in the classic Fudge way. The Supreme Vanilla Fudge will feature all 4 original members: Mark Stein, Carmine Appice, Vinnie Martel and Tim Bogert (who no longer tours but will appear on a few tracks on the record) along with touring bassist Pete Bremy. The track Bang, Bang,

Vanilla Fudge was one of the first American groups to infuse psychedelia into heavy rock sound to create psychedelic symphonic rock an eclectic genre which would, among its many offshoots, eventually morph into heavy metal. Although, at first, the band did not record original material, they were best known for their dramatic heavy, slowed-down arrangements of contemporary pop songs which they developed I nto works of epic proportion.

Originally, Vanilla Fudge was a blue-eyed soul cover band called The Pigeons, formed in New Jersey in 1965 with organist, Mark Stein, bassist, Tim Bogert, drummer, Joey Brennan, and guitarist, vocalist and US Navy veteran, Vince Martell. They built a following by gigging extensively up and down the East Coast and earned extra money by providing freelance in-concert backing for hit-record girl groups. In early 1966, the group recorded a set of eight demos that were released several years later as While The World Was Eating Vanilla Fudge. The track Dazed And Confused,

The East Coast, in particular, New York, and New Jersey, created a sound all its own. Inspired by groups such as The Rascals and The Vagrants (fronted by guitarist, Leslie West of Mountain fame), The Pigeons reworked many of their own existing arrangements of covers to reflect their unique interpretation of this East Coast Sound.

In late 1966, drummer, Joey Brennan, moved out to the West Coast; The Pigeons immediately drafted drummer and vocalist, Carmine Appice, a disciple of the renowned Joe Morello (Dave Brubeck Band) and a seasoned veteran of the club scene. In early 1967, The Pigeons manager, Phil Basile, convinced producer, George Shadow Morton (producer for The Shangri-Las and Janis Ian), to catch their live act. Impressed by their heavy-rocking, trippy and psychedelic version of The Supremes You Keep Me Hangin’ On, Morton offered to record the song as a single. This resulted in a deal with the Atlantic subsidiary Atco, which requested a name change. The band settled on Vanilla Fudge.

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Om Ulf Backstrøm (4225 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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