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Maudiir: Effortlessly moves between styles…..

Maudiir - La Part Du Diable

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Maudiir is a one-man black/thrash metal project. An outlet for observations on obedience and industrialization riddled with man-made waste.

F. (ex-Deeply Confused, Tears Of The Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.M. Coined as blackened thrash metal F of Maudiir takes advantage of complete creative control and effortlessly moves between styles, adding infusions of punk, focused guitar solos, and clean production to the classic black metal vocals and chunky bass riffs.

The first single The Slumber off Maudiir forthcoming 2021 EP La Part Du Diable’ starts on a big bass riff flirting with drone guitars and explodes into an epic instrumental black metal section. The song is about the worst personality traits we have seen awaken in some people, and that might have stayed dormant if not for the current situation. Maudiir comments on the EP as a whole:

«I had great reviews for the first EP Le Temps Peste. I think the new EP La Part Du Diable expands on the first one and brings more progressive elements to the songs. I also managed to get the bass guitar at the forefront of the songs, which is not so common in modern metal, so I’m really happy about that. All in all, it’s a pretty interesting and unique listen».

Creating an intensely dark sound, La Part Du Diable was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. This second offering from the band goes in a slightly more progressive and thrash direction than the first, F has also added distortion to the bass guitar giving a Voïvod-esque feel to the songs. It’s a riff-driven  P with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

Track Listing:

1. Fracture (4:50)

2. The Slumber (4:57)

3. The Fortunate Few (4:54)

4. Spirit of Sulfur (4:34)

5. The Crowning Hour (5:07)

EP Length: 24:24

Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Creating an intensely dark sound, La Part Du Diable was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. It’s a riff-driven  EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

«I would say that with La Part Du Diable, I’m going into a slightly more progressive and thrash sound than on the first EP. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs».

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

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Om Ulf Backstrøm (6031 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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