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King Bull: With buzz-cutter guitar tones and uniquely edgy vocals…..

King Bull – What Happened Here?

2020 was a big year for burgeoning Canadian punk-tinged rockers King Bull. They released 3 cracking singles in Pay Attention, The Depender and B-Side Baby, they then dropped their long-awaited new EP What Happened Here? in October via Riot Records.

 King Bull encompasses 70’s rock and punk with an angsty vibe and some earthy streetwise riffs and powered by a punk-tinged, rock-ignited fuel. Fired up by intricate licks, buzz-cutter guitar tones and uniquely edgy vocals, they cover what is great about rock music.

 Now they have released the official video clip for B-Side Baby. B-Side Baby backs up King Bull’s reputation of impressive musicianship and ingenious riff-writing capabilities in a fresh rock hit. B-Side Baby is a superb track that dives from garage fused punky rock to an incredible Guns N’ Roses styled crescendo. This could be the track that defines King Bull, it is ready made for arenas. 

https://www.youtube.com/watch?v=D8eWvI3_KsA&feature=youtu.beKing Bull’s EP What Happened Here? is not a concept record, it was not constructed to achieve some sort of grand vision, nor does it strive to unravel the meaning of life. Instead the record does away with all nonsense and pretentiousness, leaving just five stripped down bangers loaded with real life integrity and grit.

The EP is sonically cohesive throughout, featuring snarling guitars, growling bass, thunderous drums and vocals that sound similar to a jet engine that isn’t working properly. Most of the equipment used during the recording process pre-dates the 1980’s and includes a guitar that’s been snapped in half several times and a bass that’s quite literally survived a house fire.

A closer inspection of the songs reveal direct lyrics backed with enough wit to remind you that there’s still some room for poetry within rock and roll. Before the label punk rock existed, there were a bunch of bands that operated with less precision and carried more angst than typical rock and roll bands; bands like the Ramones, MC5, early AC/DC, the Clash, the Who etc. What Happened Here? is right at home when stacked beside music like that. 

King Bull hailing from Red Deer, Alberta which is not the most artistic of all Canadian communities, King Bull has been plying the trade for the last 13 years.

A closer look and you might find a striking resemblance between Red Deer Alberta 2020 and the 1977 film Slap Shot, only now the Hanson brothers have given up on hockey and started playing rock and roll.

Thirteen years down the road, some minor tweaks to the name and lineup and King bull is operating smoother than ever with its oldest member still less than a quarter of a century old. Their 2019 debut release, Mouthbreathers and Sha-na-na, a two-song commentary on modern identity alongside the never ending western Canadian tour in support, recently landed them on Australian based and globally operated record label Riot Records. The track The Depender,

This is a band for fans of The Who, Iggy Pop, Against Me, AC/DC, Queens of the Stone Age, David Bowie, The Drones, Neil Young etc… (anything with electric guitar that snarls a bit, really). 

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Om Ulf Backstrøm (5786 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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