In Solastalgia, EitherWay: Presents a post-apocalyptic screenshot of a non-utopic universe…..

Hailing from Montreal, QC, In Solastalgia, Either Way is an experimental and progressive act that places an emphasis on an experience that triggers all the senses for a truly multidimensional feel.

The cinematography behind In Solastalgia, Either Way is not something that can be understated. Their music is a complete audio visual experience that dramatically intertwines progressive post-rock and vivid imagery that is best experienced live. In lieu of live events right now, In Solastalgia, Either Way conveys their messages through music videos such as the one for Opia.

Band founder Jean Philippe Hébert explains further:

«It’s the scenery we contemplate while driving a car in snowy weather. It all becomes a snowstorm in which the driver is both stuck but also enamoured with the beauty of nature as he sees less and less through his windshield. He stops, there is a feeling of having no control over your present but the calmness of the storm is magnificent, he waits for it to end. But it is also many other stories».

Opia is the ambiguous intensity of looking someone in the eye, which can feel simultaneously invasive and vulnerable—their pupils glittering, bottomless and opaque—as if you were peering through a hole in the door of a house, able to tell that there’s someone standing there, but unable to tell if you’re looking in or looking out. This concept is portrayed through the music, frequently changing intensity, and emotions and coming in waves, there is a playful side that works with a nostalgic side.

Solastalgia is a neologism that describes a form of emotional or existential distress caused by environmental change. It is best described as the lived experience of negatively perceived environmental change. Hébert became fascinated by this concept and thus the band was born.

In Solastalgia, Either Way presents a post-apocalyptic screenshot of a non-utopic universe and is recommended for fans of Milanku, Mogwai, and  GodSpeed! You Black Emperor.

Opia will be released on digital platforms today.

Jean Philippe Hébert is an academically trained guitarist. Originally from Québec City, JP was educated at Notre-Dame-De-Foy campus, a private college in the outskirts of Quebec capitol.  He grew up surrounded by nature with one brother and two parents in the medical field.

As a young boy, JP would admire a guitar that had been hung on the wall of his house for ages, until he found the courage to ask for the instrument and some lessons. As a teenager, JP played a lot, concentrating his efforts towards a heavy style of music, until he started college and began studying classical and jazz. He is also a multi-instrumentalist; playing not only guitar but piano, drums and bass as well as banjo, mandolin and other specialized guitars.

His musical abilities landed him many gigs with prominent local Quebec City acts like Elliot Maginot, Lisa Leblanc and Les Soeurs Boulay to name a few. For over a decade now he has been lead guitarist on many of these projects both in-studio and live settings.

He is currently working on a solo project In Solastalgia EitherWay, which is the fruit of many years of work; it was built around the philosopher Glenn Albrecht idea that describes a form of emotional or existential distress caused by environmental change. This project combines JP’s love for nature and music. His influences vary from Godspeed You! Black Emperor to Goat and to heavier things like Opeth. You can hear all these worlds colliding in his music, somehow perfectly placed in chaos.

The goal is to have a 6 song EP entitled MORII recorded by 2021 that will then be followed by a series of concerts. The concerts themselves will be worked on as moving portraits, as he will work closely on visuals with videographers. This project is both musical and visual.


About Ulf Backstrøm (7410 Articles)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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