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30 immolated; 16 returned: Began their sadistic journey in Edmonton, Alberta….

30 immolated; 16 returned - The Burial Of The Dead - Excerpts From Stravinsky's The Rite Of Spring (1913)

30 immolated; 16 returned is an obtuse, frightening, and aggressive avant-garde metal band who are heavily inspired by the Marquis de Sade’s 120 Days Of Sodom and are meant to recreate the violent sensorial experience of the book. They bring this horror to life while demonstrating the close relationship between extreme metal and modernist classical music, which many prog and tech-metal fans will enjoy, especially the technical prowess and complex nature of the work as well as the driving primal rhythms, strange harmonies, and quirky melodies.

Their latest offering is the upcoming album The Burial Of The Dead, an arrangement of Igor Stravinsky’s controversial 1913 ballet The Rite Of Spring’. The first glimpse will be with the single The Augurs Of Spring (The Burial of the Dead)”; 30 immolated; 16 returned share their thoughts on what they call “a spring time sacrificial ritual”:

It begins with a primal pounding of all instruments in unison in a moderato tempo. It then carries through several textural changes, complex harmonies, and folk-like melodies that trade between guitars. The vocals are minimal, but are inspired by T.S. Eliot’s famous work The Wastelands. In the context of our act – it translates into the brutal murder of innocence to appease our never-ending hunger for the destruction of purity through vice.”

«The Augurs Of Spring (The Burial Of The Dead) was the first song from The Rite Of Spring that was arranged and learned by the band. In T.S Eliot’s work “The Burial of the Dead”, the poem dwells on the violence of Spring – how it pushes aside the dead that has wasted away from the previous year and then uses it to generate new life. Spectacular new life through the appropriation of the dead. This excerpt is a sneak peek into a larger project, to be finished in 2023».

Chaotic and extreme, 30 immolated; 16 returned take avant-garde, to a new technical level. They are suggested listening for fans of Portal, Howls Of Ebb, and Morbid Angel.

30 immolated; 16 returned are Hamilton, Canada’s most despicable extreme metal band. Developed through intense and abstract systematic theories of chaos and transgression – 30 immolated depicts the sexual taboos found in the Marquis de Sade’s 120 Days of Sodom, through a non-stop battery of screaming guitars, punishing drums, and thundering bass accompanied by the cries of torture and violence. In addition, Madame Champville often brings her favorite pet(s) / slave(s) along, who under threat of further violence, distribute gifts of Shit Cookies and Blood to the band’s spectators.

30 immolated; 16 returned began their sadistic journey in Edmonton, Alberta, but have since moved to southern Ontario in search of new willing victims! They have since played several concert dates in Toronto and Hamilton, most notably at the Hamilton Death Fest for Neurotic Entertainment and as openers for Toronto’s own Arcanevil, and for Mexican death metal outfits Darkside Ritual and Disrupted.

30 immolated; 16 returned ’s sonic violence has been exported internationally with physical and digital sales in China, the United States, and  Slovenia. Their goal is to continue to expand their terror throughout southern Ontario, Canada, and beyond to the rest of world!

30 immolated; 16 returned, music news, Canada, Portal, Howls Of Ebb, Morbid Angel, Hamilton Death Fest, Neurotic Entertainment, Arcanevil, Darkside Ritual, Disrupted,

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Om Ulf Backstrøm (5562 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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