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Deformatory: With massively complex and intriguing album…..

Deformatory - Inversion Of The Unseen Horizon

Deformatory with new album Inversion Of The Unseen Horizon Out September 3, 2021, and here are the first taster from the new album, the track In The Embervoid Where Dead Stars Reign,

Deformatory has been a maelstrom of devastation since 2010, assaulting all in their wake with relentless sonic brutality. This year they are adding to their punishing catalogue with their third album Inversion Of The Unseen Horizon, which was mixed and mastered by Topon Das (Fuck the Facts) from Apartment 2 Recording along with the artwork done by Paul Gerrard, who is a movie concept designer known for his imagery on Wrath of the Titans, Hellraiser: Origins and Hellboy.

In anticipation of what is sure to be one of the heaviest tech death albums of the year, Deformatory are luring listeners in with the first single In The Embervoid Where Dead Stars Reign. This is the third full-length album for Deformatory, following the 2011 EP A Prelude Of…; the 2013 full-length In The Wake of Pestilence’ and the 2016 full-length Malediction. The nine-track album is divided into three chapters, of which In The Embervoid Where Dead Stars Reign is the third song in the second chapter.

Deformatory explains the album’s concept and how the single fits in: In our previous album «Malediction, we explored the truth about Lucifer, who was an angel possessed by a far greater evil entity named Savael. We dove into his awakening and consequences for mankind. Our newest album reveals that Savael was but a mere droid in a complex hierarchy of vile entities, known as The Ce’naxors from a planet called Cyru’xil, whose Grand Arkitekt has an insatiable thirst for destroying life stars».

«The single is about the aftermath of planetary consumption and its effect on the multiverse. How death and destruction breed new forms of life, including some unintended consequences for Cyru’xil».

This massively complex and intriguing album is just the tip of the iceberg for the brutal Ottawa duo. Fans of Cryptopsy, Morbid Angel, and Origin should take note.

Track Listing:

Chapter I – INCEPTION: THE CYRU’XILEAN NEXUS

1. Within The Astral Abscess (5:20)

2. Behold, The Apex of Decay (4:36)

3. Enginieering The Wvrmhorde (4:39)

Chapter II – INCURSION: THE PROTOTYPAL ESCHATON

4. Summoning The Cosmic Devourer (7:13)

5. Masticated By An Infinite Shadow (4:30)

6. In The Embervoid Where Dead Stars Reign (3:52)

Chapter III – INVERSION: THE HORIZONTAL REFLECTION

7. Deciphering The Archetype (3:53)

8. Impaled Upon The Carrionspire (5:01) (Classical guitar and solos by Jon Levasseur (ex-Cryptopsy))

9. Beyond The Abhorrence (4:13)

Album Length: 43:21

Deformatory is a death metal band from Ottawa, Ontario, Canada. Forming in 2010, they set out to create an extreme sound, fusing together classic influences (Cryptopsy, Morbid Angel, Suffocation, etc.) and their love for modern tech death. The result is a uniquely relentless blend of death metal that can only hail from the Northern hemisphere.

Deformatory independently released their full-length debut, In The Wake Of Pestilence, in December of 2013. This pummeling 9-track debut has been exceptionally well-received by fans worldwide, and has been cited as being an “outstanding and monstrous debut album. Essential. (Frank Rini – AllAboutTheRock, ex: Internal Bleeding), and flawless in every way (TheBloodShed).

Having shared the stage with bands like Cryptopsy, Napalm Death, Obscura, Beyond Creation, Gorod, Archspire, and Fuck The Facts, Deformatory is more than comfortable delivering their crushing brand of extreme metal to live, screaming, and sweaty audiences.

Album Band Line Up:

Charlie Leduc – Guitars & Vocals

Neil Grandy – Drums

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Om Ulf Backstrøm (5848 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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