Hundred Headless Horsemen: With a masterwork and worthy of multiple re-listens to peel back the layers and find some clarity.

Hundred Headless Horsemen - Apokalepsia

Hundred Headless Horsemen sound very bloody and disgusting! Fortunately, Hundred Heavy Horsemen  is a band that does not play disgusting music at all, but rather an exciting and distinctive music.

Hundred Headless Horsemen is a psychedelic death metal band hailing from Helsinki, Finland. Their first full-length, concept album titled Apokalepsia was released through Inverse Records earlier this year.

The album has been received very positively by publications that cater to left-field metal tastes. No Clean Singing blog wrote ”…think of HHH as the Death Metal equivalent of their more blackened countrymen in Oranssi Pazuzu, a band with whom they not only share a love of sludgy grooves and psychotropic sounds, but also an almost pathological aversion to playing by the rules. Tempelores webzine stated: «Apokalepsia is a masterwork and worthy of multiple re-listens to peel back the layers and find some clarity».

The band blends together different subgenres of metal from current and past time frames to create their own unique brand of psychedelic death metal. Their musical approach mirrors the background narrative of the album that moves in multiple time and space dimensions based on fragments of scientific articles found about a formerly unknown psychoneurological condition: Apokalepsia.

Apokalepsia is a group of symptoms characterized by recurrent seizures. These episodes can vary from brief and nearly undetectable interludes to long periods of vigorous shaking, hyperventilation, suffocating despair and a failure to function in a world defined by its imminent devastation. Many victims also describe vivid visual and auditory hallucinations during apokaleptic seizures. The journal entries of these formerly unknown cases tell much about the inner struggles of the victims:

«The momentum that upholds life comes from death, darkness and decay. No matter how delusional we become, our efforts will never be grand enough to transcend this circular motion. In stark contrast to nature, the economy was always a fiction. A fiction that nevertheless had very real consequences to our lives, which have led us to the profound misinterpretation of its true form. The system we had built long ago is now eating us alive».

«Many of us had bright ideas, but in the end, our egos were always standing between the ideas and actually living them. Were we ever able to remind ourselves that the whole spectrum of life upon this earth was just as precious as our own? Or did we merely fall back to building fortresses against our own fears? ».

«Apokalepsia was composed, performed, produced by Hundred Headless Horsemen. The band remains anonymous, but was joined by Mikko Suikkanen on electric violin and Saergu on synthesizers in The Road, as well as Titus on percussion on The Road and Spleen. The album was recorded by Valtteri Virolainen and Titus, mixed by Valtteri Virolainen and mastered by Magnus Lindberg Productions. Photographer and visual artist Karl Ketamo worked with us to create a visual form for our concept».

Apokalepsia – Track listing:

1. The Road

2. No Longer Human

3. Breath of Death

4. Echoes

5. Spleen

6. Cataclysm


About Ulf Backstrøm (7417 Articles)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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