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Gabriel Keller: With 20 guest musicians.

Gabriel Keller - Clair Obscur

The album Clair Obscur contains 20 guest musicians and the maestro is Gabriel Keller from France.

Says, «Welcome to my solo adventure page. An adventure in which many musical influences and many collaborations will mingle to give birth to a first album entitled Clair Obscur scheduled for March 2022».

«From a very young age, I have been passionate about music and above all, fascinated by the emotions it can provide. Both to others and to myself. Joy, the desire to dance, to move your head,… but also sadness, melancholy, nostalgia… No other artistic form manages to move me as much as music. Goosebumps, tears, laughter, chills, …»

«Trained in violin and drums, I have always wanted to create, collaborate with other artists and produce works as varied as my influences. Naturally, I ended up taking up the guitar. We had been hovering around her and I for years».

«My influence?

First rock of course. I had the chance to discover the Beatles, Pink Floyd, at a very young age… and to immerse myself headlong into the discography of the 60s and 70s. Then came metal and progressive rock with the discovery of bands like Porcupine Tree, Opeth,… Over the years, I also opened up to French pop/variety, discovering Higelin, Bashung, Dutronc, Ange… open to more melting pot artists with jazz touches such as Sophie Hunger or Fredrika Stahl».

«All these influences nourish my music. Not to mention the fantastic people with whom I regularly have the opportunity to work. Lucie on cello, Charlie on guitar, Emilie, Marine, Maïté, Charlotte on vocals, Simon and Lucas on drums, Julien on bass, Maud on graphics… From a very young age, I have been passionate about music and above all, fascinated by the emotions it can provide. Both to others and to myself. Joy, the desire to dance, to move your head,… but also sadness, melancholy, nostalgia… No other artistic form manages to move me as much as music. Goosebumps, tears, laughter, chills, …»

«Trained in violin and drums, I have always wanted to create, collaborate with other artists and produce works as varied as my influences. Naturally, I ended up taking up the guitar. We had been hovering around her and I for years».

Tracklist:

1. Tumulte (Feat. Charlie Henry) (3:26)

2. Time (Feat. Emi B) (5:01)

3. Train To Resolution (Feat. Emi B) (4:27)

4. Open Arms (Feat. Emi B) (5:12)

5. Melancholia (Feat. Charlotte Gagnor) (3:50)

6. Sonate Au Clair Obscur (Feat. Clement Barou) (6:42)

7. Nothing Human (Feat. Maïté Merlin) (5:35)

8. Out Of My Life (Feat. Maïté Merlin) (6:50)

9. Honey (Feat. Marine Poirier) (4:44)

10. Accalmie (2:58)

Total Time 48:45

Line-up:

Gabriel Keller : guitars, percussions, bass (1-5), chorus, sound design, acoustic guitar (10)

   With

Charlie Henry – guitars (1-3, 5, 8)

Emi B – vocals (2, 3, 4), choir

Charlotte Gagnor – vocals (5) , choir

Clement Barou – vocals (6) , choir

Maïté Merlin – vocals (7, 8) , choir

Marine Poirier – vocals (9) , choir

Lucas Biguet-Mermet: drums (1, 6-9)

Lucie Lacour: cello (1, 5, 9) , choir

Simon Rebuffat: drums (2-5)

quartet. Majuscules: strings – Jean Charles Montibert: string arrangements (2, 5, 6, 7)

Clément Berthie: guitars (3)

Anne-Marguerite Salt: chorus (3)

Anthony Barbier: guitar solo (4)

Julien Mailland: bass (6-9)

Clément Barou: piano(6)

Jérôme Aubernon: violin solo (6)

Sos Section : brass section – Pierre Lagache: brass arrangements (8)

Marius Marin: guitars (9)

Charlotte Gagnor: choirs (10)

Link:
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Om Ulf Backstrøm (6703 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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