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Simon Luca & L`enorme Maria: Historical band!!!

Simon Luca & L`enorme Maria - Mastico Asfalto

Simonluca, (Alberto Simonluca Favata) was born in Piacenza and moved to Milan in the early 1960s. In high school he founded his first group I Semplici. From 1966 to 1970, a fruitful and important collaboration began with the producer Aldo Pagani. They records some covers and then starts writing the songs of some first ‘singles’ under the pseudonym of Alberto Oro.

After a magical trip to the USA in 1969, he composed and released his first album at the beginning of the 1970s, again with Aldo Pagani, From Three Thousand Years finally with the name of SimonLuca.

In this album we find some Stormy Six musicians, Nando De Luca, Tullio De Piscopo and some of the most important Italian and foreign arrangers. The album is very well received by critics.

In 1971 he founded a historic band SimonLuca & L’Enorme Maria, gathering around him many of the most talented young Milanese musicians. For the sake of brevity just some of the names, but many others could be added: Alberto Camerini, Fabio Treves, Ricky Belloni, Gigi Belloni, Marco Ferradini, Eugenio Finardi, Donatella Bardi, Lalla and Eloisa Francia, Lucio Fabbri and so on … with this extraordinary training, in 1972, he publishes the album To Protect The Huge Mary of which this year marks the fiftieth anniversary!!!

In 1973 the lineup of “SimonLuca and L’Enorme Maria” changes with Claudio Bazzari, Ronnie Jackson and Claudio Ciampini on guitars, Gigi Belloni on bass, Flaviano Cuffari on drums and singer Flavia Baldassarri and with this lineup SimonLuca releases his third album , “What about my mind?”.

As composer and arranger SimonLuca writes and collaborates with artists such as: Mina, Milva, Ornella Vanoni, Iva Zanicchi, Bruno Lauzi, Dik Dik, Marco Ferradini, Rosanna Fratello, Paolo Mengoli, Mal, Anna Identici and many others. He composes music and jingles for various award-winning advertising campaigns, for films and television and film dramas.)

As in the project of its founder, Simonluca & l’Enorme Maria, the only open group experiment in Italy, it was created to be a sort of creative laboratory of different musical experiences, from which artists then mature who successfully undertake a personal path.

 The CD is released on M.P. & Records, distributed by G.T. Music Distribution, Micio Poldo Edizioni Musicali and KY Publishing.

Cover image by Caterina Calea. Artwork and graphics by OndemediE.

Produced by Alberto Simonluca Favata, with executive production by Marco Leo and artistic direction by Mario Camerini.

Simon Luca & L’Enorme Maria:

Simonluca: vocals

Marco Leo: guitars

Edoardo Maggioni: piano and keyboards

Cesare Pizzetti: double bass

Peppe Burrafato: drums

Lalla Francia: chorus, vocals on Sopra I Raggi Della Luna

Simona ‘Jammin’ Bovino: chorus

Veronica Canestrari: chorus, vocals on Fuori Dal fango

Ivan Padul: chorus

Jordan Brown: chorus

Guest stars:

Fabio Treves: blues harp on Credo

Claudio Bazzarri: celectric guitar on Confini

Amedeo Bianchi: saxophone on Fuori Dal Fango and Sopra I Raggi Della Luna

Tracklist:

1) Credo (4:41)

2) Mastico asfalto (4:08)

3) Confini (4:53)

4) Fuori dal fango (4:49)

5) Numeri prigionieri (4:28)

6) Sopra i raggi della luna (4:39

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About Ulf Backstrøm (7413 Articles)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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