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Big Big Train: Sees the band taking in wider musical and lyrical…..

Big Big Train – Strangest Times

30th July 2021 was the release day of Common Ground, the self-produced new album from Big Big Train on their own label, English Electric Recordings. The new album, recorded during the worldwide pandemic, sees the band continue their tradition of dramatic narratives but also tackles issues much closer to home.

The new single The Strangest Times sees singer David Longdon writing about the Covid lockdowns, the separation of loved ones, the passage of time, deaths of people close to the band.

David Longdon comments: «After the death of a collaborator Judy Dyble in July 2020, I time spent shielding with an ill relative. With everything that was happening around me and for the world with the relentless doomwatch tone of the news broadcasts, I spoke with Greg. I said I couldn’t just be writing songs about historical figures and scenarios. I felt that I needed to write about the here and now. In ‘The Strangest Times’, I’m writing very directly about what has been happening globally and how I feel about it. The screaming media broadcasts made me want to avoid watching or listening to the news, but I made myself read the latest news once a day».

«I felt better when I was out of the house and walking by the brook and then visiting Watnall Wood in Nottinghamshire. I have always admired the directness of Pete Townshend’s lyrics, and that very much fitted the tone of the song. The music has a driving piano feel to it. I wanted it to sound like an Elton John rocker with that pushing rhythm piano playing that he does. When Rikard and I spoke about this song and I mentioned Elton John, he referred to ‘Grey Seal’ from ‘Goodbye Yellow Brick Road’ as external stimuli. That track directly inspired Rikard’s swift piano arpeggios. Dave Foster played electric guitar on this song, and when we met at Real World in November 2020, I said that I wanted the electric part to be Pete Townshend-esque, and Dave knew exactly what I was pushing for».

Tracklisting:

1. The Strangest Times

2. All The Love We Can Give

3. Black With Ink

4. Dandelion Clock

5. Headwaters

6. Apollo

7. Common Ground

8. Atlantic Cable

9. Endnotes

Common Ground sees the band taking in wider musical and lyrical inspiration from artists such as Elbow, Pete Townshend, Tears For Fears, Elton John and XTC, as well as acknowledging their more progressive roots. As ever, Big Big Train will take listeners on a journey, be it waiting for the UK 5pm pandemic press conferences (The Strangest Times) to the library of Alexandria ‘Black With Ink) to the bottom of the ocean (‘Atlantic Cable’).

For the Common Ground tour, which will be their most extensive to date and which will culminate in the UK with a show at the prestigious London Palladium, Greg Spawton (bass), David Longdon (lead vocals, flute), Nick D’Virgilio (drums, vocals) and Rikard Sjöblom (guitars, keyboards, vocals) will be joined by Carly Bryant (keyboards, guitars, vocals), who contributes vocals to Common Ground, Dave Foster (guitars), who plays on two tracks on the new album, Clare Lindley (violin, vocals) and by a five piece brass ensemble. The band expect to announce North American tour dates shortly.

Big Big Train has taken lyrical and musical inspiration from periods of history that are recognized as great leaps forward. Now with Common Ground, they are making such a surge themselves.

 Big Big Train was initially founded in 1990 and went through several line-up changes, but in 2009 the band decided on a fresh start, and the core of the current version of the band was born. Since then, they have gone on to win four Progressive Music Awards, played sold out shows and seen their last album, 2019’s ‘Grand Tour’, reach #1 in the Official UK rock charts and break into the top 40 in the Official UK album charts. The band toured the UK for the first time in 2019, culminating in a sold out show at London’s Hackney Empire, subsequently released as the critically acclaimed Blu-ray Empire, and 2022 will see the band performing their largest UK tour to date along with their first ever dates in North America.

Line-up:

Nick D’Virgilio: drums, vocals

David Longdon: vocals, acoustic guitar, Mellotron, synthesiser

Rikard Sjöblom: piano, synthesiser, Hammond organ, vocals

Gregory Spawton: bass, bass pedals

Carly Bryant: vocals

Dave Foster: guitars

Aidan O’Rourke: violin

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Om Ulf Backstrøm (6703 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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