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Ocean Of Slumber: Varied and lush….

Ocean Of Slumber - The Adorned Fathomless Creation

Texas is a lush state. Texas has a variety of landscapes and is part of both the Deep South and the desert southwest of the United States. On a journey from east to west you get to see large coniferous forests and a number of oak forests, large plains and prairies and the large desert area around Big Bend.

The prog metal band Ocean Of Slumber is from Texas, and their music is also lush and varied! Ocean Of Slumber announced new single video The Adorned Fathomless Creation three days ago off their forthcoming self-titled album out September 4th via Century Media Records worldwide.

«Violence, revenge, retribution, repeat. The adorned fathomless creation that is humanity, that is society, that is each of us. Warped and blinded by this eye for an eye mentality, we stumble along the path of this insidious and cyclical nature of violence and pain. Hate begets more hate. Fear a contagion. Compassion a lost art of emotional bending. Outcry, anger, rage, repeat. We long for the gentle embrace of compassion, hope to be soothed by a love that is no where to be found».

«So the machine churns, spewing smoke along a degenerative wasteland. Victim, valor, vengeance, repeat. Our only hope is to remember that among ourselves is an ability to connect, an ability to heal, an ability to grow. To break the machine and free ourselves from its corrosive and cancerous nature. Teach, acknowledge, heal, repeat,” states Oceans Of Slumber about the track release».

Ocean Of Slumber was launched via 2013’s Aetherial debut, but truly blossoming upon the arrival of vocalist Cammie Gilbert for 2015’s Blue EP and the following year’s Winter full-length, Oceans Of Slumber re-emerge in 2020 with the weight of expectation bearing down on their shoulders. The result is their self-titled release, an album that masterfully redefines the band’s sound for a new era while bringing their conceptual core into sharper focus. Sonically spectacular and proudly melodramatic and yet vulnerable and intimate, these new songs represent the commencement of the next stage in this remarkable band’s evolution.

The track A Return To The Earth Below, a really melancholic track with stunning vocal.

«Within ourselves, just as within our societies, there are cycles that need to be broken. Cycles that hold us down, that tear us apart, which give us anguish. Sometimes without warning these cracks surface and they trigger a cascade of emotional vulnerabilities, emotional turmoil, even hopelessness. But at some point we must stop running. Stop running from the pain, stop running from the truth, stop running from ourselves. In the light of this self-reflection is where we will find peace, both inwardly and outwardly. A Return To The Earth Below is about that journey. It is about the collision of the heart and mind in struggling to find that internal resolution. We feel that the timing of this single couldn’t be more appropriate, as we have all found ourselves at the crossroads of change,” states Oceans Of Slumber vocalist Cammie Gilbert».

 Oceans Of Slumber is Cammie Gilbert (vocals), Jessie Santos (guitar, backing vocals), Alexander Lucian (guitar, backing vocals), Semir Ozerkan (bass, guitar), Dobber (drums, piano/synths), and Mat Aleman (keyboard).

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Ocean Of Slumber – The Adorned Fathomless Creation

Om Ulf Backstrøm (4056 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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