DayGlo: With an homage to the fuzziest, most classic doom metal they can muster….

DayGlo - Mourning Dead Star

Sometimes a band just lands with such impact that their momentum carries them into instant recognition. DayGlo Mourning out of Atlanta are just that band – it wasn’t long after their self-titled début that they signed on the dotted line with established connoisseurs Black Doomba Records, which has been their home label ever since. Now, the time has come for a new record to showcase the best of what they have to offer. Dead Star embodies the band’s name: DayGlo vibrant colors adorn the packaging which envelops the Mourning-laden riffs.

The trio are not ones to waste a listener’s time, and go straight to what they do best – an homage to the fuzziest, most classic doom metal they can muster. The drums are on fire; Ray Miner may not be breaking any speed barriers, but he crashes and pounds out a fierce rhythm such as on opener Dead Star. Bassist Jerimy McNeil, meanwhile, gets a welcome centerstage slot on more than one occasion, leading the charge on The Offering and Faithful Demise. Naturally, the guitars are in the constant search for That Tone, and the one here is just the right level of amp-worshipping distortion, counterbalancing the beer-soaked yet melodic vocals of Joe Mills.

DayGlo Mourning didn’t get to this position by resting on their laurels, though, and Dead Star has a few tricks up its sleeve. One of these is the delightful blues-driven solos that litter the record, including a talk box solo on The Offering, while Witch’s Ladder shows just how low and heavy they go, while featuring intonations of curses to drag the listener into the depths of the occult. On a similar vibe, Faithful Demise feels strangely playful given its dark topics of death and religion, while the church-like choirs on Ashwhore are suitably sacrilegious.

In short, while the début was a strong opening statement, Dead Star is a necessary next step for DayGlo Mourning. Bound to delight fans of doom metal of all stripes, it’s a must-have record that stands proud among the growing accolades of a band who rep their city’s metal scene so strongly.

DayGlo Mourning are: Ray Miner – Drums, Jerimy McNeil – Bass, Vocals and Joseph Mills – Guitar, Vocals.

1. Dead Star

2. The Offering

3. Bloodghast

4. Faithful Demise

5. Ashwhore

6. Witches’ Ladder


About Ulf Backstrøm (7437 Articles)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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