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R.I.P. Bones Hillman

XXX perform on November 4, 2017 in Hanging Rock, Australia.

Wayne Stevens (May 1958 – 7 November 2020), known by the stage name Bones Hillman, was a New Zealand musician best known as the bass guitarist for the Australian alternative rock band Midnight Oil, which he joined in 1987 and remained with until his death two days ago.

Colleagues in the Australian rock band announced the sad news on Twitter on Saturday. «We mourn the loss of our brother, Bones Hillman, who died in his own home in Milwaukee today after battling cancer», they write. «He was the bassist with the beautiful voice, the band member with the twisted sense of humor – and our brilliant musical buddy». The track Beds Are Burning,

Hillman played bass guitar in his first band the Masochists, an early New Zealand punk act, formed with Kevin Gray (vocals), Spike Nasty (drums) and Jimmy Sex (guitar), from the Auckland suburb of Avondale. They were alternatively known as The Metal Masochists, MM, Vandals, and The Avondale Spiders. In late 1977 he joined the Suburban Reptiles and appeared on their first single, Megaton (Vertigo, 1978). The name Hillman was coined by the make of car he drove. He left the band in early 1978 and joined the former Masochists in the Rednecks, a mainstay of the legendary Zwines punk scene in Auckland. The track Blue Sky Mine,

In late 1977, he joined the New Zealand band the Swingers with Phil Judd (ex-Split Enz) and Mark Hough (a.k.a. Buster Stiggs, ex-Suburban Reptiles). Their single Counting The Beat was a trans-Tasman number one hit before the band disintegrated in 1983. He appeared in the 1982 film Starstruck, as one of the Swingers. He was credited as Dwayne Hillman. The track Dead Mine,

Moving to Australia as part of The Swingers in 1980 and living there until 2002, he was a member of internationally known Australian rock band Midnight Oil, replacing Peter Gifford in 1987 as bass player.

Om Ulf Backstrøm (6045 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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