Tanagra: Sci-fi and fantasy on the agenda…..

Tanagra – Seas Of Glass

Tanagra is a Cascadian Power Metal band that writes about all things sci-fi and fantasy. The song Seas Of Glass is a bold proclamation that the band has survived the departure of Tom Socia, the legal battle with Nagra, and the restrictions of Covid. With Erich Ulmer as the new lead singer; it’s a new sound but still distinctly Tanagra – clean leads and harmonies, impassioned vocals, a bit of grit and ending with some driving riffs. Seas Of Glass serves as a small jolt for the band music-wise, but ultimately fans will still hear the distinctive Tanagra sound coming through.

Seas Of Glass serves as a small jolt for the band music-wise, but ultimately fans will still hear the distinctive Tanagra sound coming through.

Like much of their music, Seas Of Glass tells a story about change through the eyes of a lone protagonist. The first half of the single is calm and sounds almost like it’s from the ’70s, maybe a bit of Hotel California; as the protagonist remembers why he came to the island. He has a nagging feeling that this existence, despite its comfort, isn’t right. As we make our way to the solo the desire to return to the sea is overtaking who he was when he came to the island. By the time we’ve been pounded by a driving riff and solo, he’s come to the realization that he’s in control of the elements. The only thing stopping him from enjoying the battering of the seas is himself; and that gives him the strength to once again venture into the storm. The storms don’t matter, the raging seas are nothing to him; they are just as if they are calm waters. Tanagra shares their thoughts on the single:

«Seas Of Glass’ is a passionate retort to the ill-fortunes the band has suffered in recent years. Built from the raw emotions of the loss of members and the twin deathblows threatened by Covid and Nagra; all combined to make a do or die moment. We decided we weren’t going to take this lying down. It’d be easy enough to cave when all opportunity is being snuffed out and then you’re kicked while you’re down. It’d be easy to simply go on doing whatever it is we’re doing with our lives and walk away; another defeated minion in someone else’s RPG. But instead, we stand proud and defiant. This is our name, that is our stage, and the storms can rage all they want».

To date, the band has released two albums, 2015’s None Of This Is Real and 2019’s Meridiem keeping a focus on writing complex, reasonably technical metal with clean vocals a la Blind Guardian and Iced Earth. Tanagra’s music writing is diverse and so is the process for each release. In this track, in particular, the vocals were established early and built around entirely; rather than being applied later. This leads it to sound more cohesive. Clean, melodic, and driving, Tanagra is recommended for fans of Iced Earth, Pyramaze, and Caladan Brood.

Formed out of the love of science fiction, fantasy, and theatrical heavy metal storytelling, Tangra hit the Portland, USA metal scene in 2011 and alongside bands like Spellcaster, Excruciator, and Ritual Healing, helped foster a heavy/power metal scene in a city obsessed with black and doom metal. In 2015, after releasing their debut album, None of This is Real, an energetic collection of American power metal showcasing their love for complex arrangements and lengthy songs, they garnered critical acclaim from a multitude of publications around the world and began their rise by opening for acclaimed bands such as Visigoth, Primal Fear, Sanctuary, Vicious Rumors, Judicator, and Blaze Bayley.

In the time following their debut release, the members found a deep love for progressive rock/metal and symphonic black metal. A culling of straight-forward riffing and songwriting gave way to complex yet compelling rhythms interwoven with vibrant vocal arrangements, transcendent soloing, and varying instrumental textures in a lush harmonic landscape.

In 2016, Tanagra entered the studio with the fruits of their labors to begin recording their ambitious second album, titled Meridiem. Hunkered down across four studios for close to three years, joined by guest musicians on piano, cello, and viola, they refined and crafted their seven compositions to perfection with every minute of studio time spent adding more and more layers of depth, emotion, harmony, and complexity. After recording his parts, Josh Kay moved to Los Angeles and started a new project; Alizarin. After Meridiem was released too much fanfare, Tom Socia also exited the band quietly.

Tanagra, USA, music news, Ritual Healing, Spellcaster, Tom Socia, Erich Ulmer, Earth, Pyramaze, Caladan Brood, Excruciator, Visigoth, Primal Fear, Sanctuary, Vicious Rumors, Judicator, Blaze Bayley, Josh Kay moved to Los Angeles and started a new project, Alizarin,


Om Ulf Backstrøm (7110 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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