Tillison Reingold Tiranti: With amazing and exciting concept…..

Tillison Reingold Tiranti - Una Storia

Tillison Reingold Tiranti  is a European progressive band formed by Tangent members Andy Tillison and Jonas Reingold, along with stunning Italian singer Roberto Tiranti. Their debut album Una Storia is a fond homage to the Italian progressive of the 1970s, and to one band in particular. Una Storia ia a concept album that tells a story about a real band named Allium which Tillison saw jammed and played in Itlay when he was a teenager in mid-seventies. The story goes as follows…..

In 1973 a group of Albanian musicians escaped the regime to make their music in the neighboring Italy. They worked the Holiday camps to make a living, singing contemporary pop songs for the tourists. But in their own time they concentrate on writing and recording their dream progressive rock album.

Roberto De Sarno: Vocals

Afrim Tanush: Keyboards

Januz Rexhepi: Bass

Kostadin Bequeri: Guitars

Petrit Haxriu: Drums


Mai Tornare

Ordine Nuovo

Nel Nome Di Dio


Andy Tillison (The Tangent/Po90): Keyboards, Drums

Jonas Reingold (The Flower Kings/Steve Hackett/Karmakanic): Electric Guitar, Bass Guitar

Roberto Tiranti (New Trolls/Ken Hensley/Labyrinth): Vocals


Antonio De Sarno (Moongarden, Barock Project, Mangala Vallis): Lyrics

Ray Aichinger: Soprano & Tenor Saxophones

There was always a difference between the Italian take on progressive and the other countries from which it came. Whereas in the UK and US, bands released records when invited to do so by companies of varying sizes…  the Italians tended to work in a manner more akin to the DIY nature of Punk/New Wave which came later elsewhere.

Italian prog was totally unfettered. There were hardly any apparent commercial considerations. Bands had whole careers or just came together, made one album and disappeared. They came at it from all angles, as jazz fusion driven, Classically motivated, hard rockin’, folksy, avant garde, quirky… you name it. There were LOADS of them.   Some had almost visible influences of their famous UK/US counterparts, elements of Genesis, Yes, ELP stalked lovingly throughout the works of some, others cut their own furrows.

A few expanded their reach into the UK and USA… PFM of course being the best known outside of Italy followed closely by Banco and Le Orme. But once one becomes aware of just how much that leaves out of the picture, it’s a massive rabbit hole to go down.

TRT’s songs on Allium: Una Storia”are massively influenced by this movement.  Tillison has been a fan since he was 15:

«It was PFM for me at first of course – I’d heard them on the BBC In Concert programme in 1975. A friend of mine had the albums Cook and Photos Of Ghosts and I made copies on my cassette recorder of both.  I bought my first album by the band in Italy on the holiday where I met the band Allium. For a few seconds I was disappointed that it appeared to be Photos Of Ghost”, until I realized that unlike Photos this was going to be all in Italian! I was hooked, forever, on that day».

Like many Brits at the time, Andy Tillison wasn’t aware of the huge amount of other stuff that was out there. The English version of Le Orme’s Felona & Serona with its Peter Hammill penned lyrics played well in the UK along with Banco. For many UK fans, the world of RPI remained unknown until the arrival of the Internet so many people out in the rest of Europe didn’t get to see the depth of the movement until 20 years after it happened.

When TRT lyricist Antonio De Sarno first met up with Andy Tillison in around 2000 his first recommendation was for this remarkable album by Il Balletto Di Bronzo Ys The influences can even be seen in the artwork color scheme that TRT chose, though the original Allium band were already considering something very similar.

For many people the discovery of so much music from this amazing free and forward thinking era was the beginning of a new interest in prog Just how much had been missed out of what happened in the 1970s.

TRT’s Allium album is recording that is inspired by the long format recordings of Museo Rosenbach, the jazz/prog fusion of Area and Arti E Mestieri, the dark evocative Balletto Di Bronzo, the operatic stylings of Metamorfosi, the counterpoint runs of Banco, the multi-instrumentalism and melody of PFM and .. the common independence that all of these many bands were able to exercise.


About Ulf Backstrøm (7231 Articles)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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