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Abstracted: Choose to escape the Samsara Wheel.

Abstracted - Between Samsara And Samadhi

Abstracted Third single from debut full-length Atma Conflux; album to be released in Spring 2022

The Brazilian progressive death metal act Abstarted have unveiled a performance video for Between Samsara And Samadhi the third single from their upcoming debut full-length album Atma Conflux, which is currently set for release in Spring 2022. The song is the latest display of the band’s sound, blending the blistering technicality of acts such as Obscura and Edge Of Sanity with moments evoking the melodic side of bands such as Opeth and Fates Warning.

Says lead vocalist/guitarist Rosano Matiussi, «Between is the fourth song off our upcoming album, which is part of a concept that flirts with the duality of being, and the choices to be made during the process of self-healing. The lyrics try to translate the split paths where one must choose to escape the Samsara Wheel and pursue enlightenment, or fall on his knees and just deliver himself to the ‘moon masked entity,’ known as the lunar body, which is responsible for all things egotistic and self-loathing».

«Music wise, Between came in a moment where we were trying to find that link between (no punintended) the new Abstracted Sound and the early one from our first EP, ‘Ophidian.” It has heavy, tricky and melodic parts, so we thought that’d be a great song to release a music video for. So this, I could say, is where the process of changing, and evolution is mostly visible».

The music video was recorded in one of São Paulo’s biggest theaters and we had the great folks from Movilabe (Thanks May and Leo, you rock!) producing the music video. It was a great feeling, also a little bit frightening, to play our song on such a huge stage, but it turned out pretty fine (after a few beers, of course). I am a huge Evergrey fan myself and when I saw their music video for ‘Where August Mourns’ with them playing in a theater with all those flashing lights – very simple, but visually pleasant – I knewthat was what we had to do!». The song Wither To Dust,

«Wither To Dust is the second preview of the quintet’s debut full-length, Atma Conflux, which will be released worldwide later this year. Says the band, Wither To Dust talks about the moment when you are facing the fears, agony and wounds that you carry in your life’s journey. Tibetan Buddhism and Gnosis are references that we approach in this song. The cover art for the single by the artist Fernando Kao brings the representations of this state between death and rebirth. The song is part of a concept story, narrating the path of the protagonist, showing his thoughts and experiences in this spiritual journey. Old-school thrash/death riffs, melodic guitars with a power metal feel, ’80s synth prog solos, deathcore riffs and modern breakdowns are the background for this trip inside the protagonist’s mind. We hope you all enjoy it, because we are delivering with all our hearts».

«The cover art for the single by the artist Fernando Kao brings the representations of this state between death and rebirth. The song is part of a concept story, narrating the path of the protagonist, showing his thoughts and experiences in this spiritual journey. Old-school thrash/death riffs, melodic guitars with a power metal feel, ’80s synth prog solos, deathcore riffs and modern breakdowns are the background for this trip inside the protagonist’s mind. We hope you all enjoy it, because we are delivering with all our hearts». The track Decree Of Sunlight (feat. Mike Semesky),

Abstracted was formed in the band’s hometown of Sao Paolo, Brazil in 2014. The group was initially birthed from the ashes of Nyth, a previous band that Rosano Matiussi (vocals/guitars) and Guilherme Nolasco (guitars) had been involved with. After their first live performance – rounded out by drummer Alexandre Dantas and then-bassist Allen Lordaro – the new group entered the studio to record an album showcasing a sound that was birthed by a love for bands that balanced metallic intensity with a propensity to stretch the progressive boundaries of the genre.

Abstracted took their name from a song by Swedish melodic death metal greats Scar Symmetry. Influences from other European acts such as Necrophagist and Gojira, American bands such as The Faceless and Between The Buried And Me, and genre giants such as Death and Coroner all formed the basis for the sound that the band explored on their thrilling 2015 debut EP, Ophidian. The recording saw new bassist Riverton Vivela enter the picture and featured guest appearances from Allegaeon guitarists Michael Stancel and Greg Burgess. The group continued to build their name in the years that followed while balancing scholastic pursuits with live appearances on festivals throughout their native country.

Abstracted began recording their debut full-length, Atma Conflux, in 2018, and continued writing, crafting, and producing the record throughout 2019 and 2020. The new album sees the group – which recently welcomed keyboardist Carol Claro – integrating synthesizers and orchestral keyboards into their already-expansive sound. With their lineup now fully solidified, a new album ready and live performances imminent soon, Abstracted is poised to unleash their sound to the masses in 2021.

Abstracted is:

Rosano Matiussi (vocals/guitars)

Guilherme Nolasco (guitars)

Riverton Vivela (bass)

Alexandre Dantas (drums)

Carol Claro (keyboards)

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Om Ulf Backstrøm (6691 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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