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Charlie Griffiths: With the most proggy track on the album!

Charlie Griffiths – Luminous Beings

Charlie Griffiths, guitarist with British progressive metal heavyweights Haken, is set to release his debut solo album Tiktaalika on June 17th, 2022 via InsideOutMusic. With musical roots still firmly in the progressive realm, Charlie draws from his love of old-school 80s thrash, 90s tech-metal and alternative rock. Running the gamut from melodic to avant-garde to straight-up heavy, you might say Tiktaalika bridges the gap between King Crimson and King Diamond! Charlie Griffiths (Haken) launches video for Luminous Beings, featuring vocals from Daniel De Jongh (ex-Textures).

Charlie Griffiths comments: «The most proggy track on the album; I think of it as Gentle Giant meets Cynic, with a blend of big odd time riffs and technical, detailed guitar parts and jazz harmony. Lyrically this is a love letter to the amazing planet and natural world we find ourselves in and also reflects on that intangible ‘force’ which drives us and inspires us to keep moving forward, despite the many obstacles we’re all dealt. But as someone once said, life finds a way.  I’d long been a fan of Danïel De Jongh’s vocal work with Textures and I was incredibly lucky to have him lend his awesome, soulful voice to this track and bringing it to life. Underpinning it all is drummer Darby Todd (Martin Barre, Devin Townsend), who delivered the perfect blend of power, world class groove and fusion chops to the track».

 The album’s first single Arctic Cemetery includes guest vocals from Tommy Rogers of Between the Buried & Me. Watch the video now here:

Check out the video for the instrumental title track here:

 The album includes stunning artwork from Dan Goldsworthy, and will be available as a Ltd CD Edition.

Tracklist:

1.Prehistoric Prelude

2.Arctic Cemetery

3.Luminous Beings

4.In Alluvium

5.Dead in the Water

6.Digging Deeper

7.Tiktaalika

8.Crawl Walk Run

9.Under Polaris

This concept album was 375 million years in the making, with the 9 tracks drawing inspiration from themes of geological time, fossilization, transformation and humanity’s connections with each other and the planet we inhabit. The Griffiths-penned lyrics are given voice by some of the best vocalists in the business: Tommy Rogers (Between The Buried And Me), Danïel De Jongh (Textures), Vladimir Lalić (Organised Chaos) and Neil Purdy (Luna’s Call).

 As well as handling guitar duties, Charlie Griffiths also takes care of bass, keyboards and on one track, makes his debut lead vocal performance. Of the creative process Charlie Griffiths explains, «I picked up the 6 string guitar again, which ironically has become the more unusual option for me, after 10 or so years writing with an 8-string guitar for Haken. It definitely sent me into a different creative headspace, with riff after riff seemingly falling out of the guitar. I naturally began forming those riffs into song structures, while simultaneously writing vocal melodies and building the lyrical concept. It was a great form of escapism from my usual environment and I had a lot of fun doing it».

 The album also features a host of guest musicians: Drummer Darby Todd (Martin Barre, Frost, Devin Townsend), Keyboard wizard Jordan Rudess (Dream Theater) and Saxophonist Rob Townsend (Steve Hackett). «All of the guest musicians took the songs to another level» Charlie explains, «I had everything written and demoed, so the guys could quickly learn the parts, but I gave free rein for them to bring their personality to the party. Darby’s drumming style, is so beautifully improvised and more jazz-fusion influenced, when paired with my riffs, it resulted in something unexpected. It blows my mind that the synth solo Jordan played was the very first take! Capturing that spirit of spontaneity within a structured piece is always very special».

 The album was mixed by Adam‘Nolly Getgood and mastered by Ermin Hamidovic.

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About Ulf Backstrøm (7433 Articles)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
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