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Beriedir: With a hymn to a rightful depature!

Beriedir – Dapature Song

Rockshots Records is very satisfied to announce their signing of Beriedir for the release of their new album Aqva on January 21, 2022.

Beriedir (from the Sindarin word for Guardians) is a progressive melancholic power metal act based in Bergamo, Italy. The five-member band was founded by Stefano Nüsperli and began its live career in 2015 with the release of The Line, their first demo.

Their first full-length album The Path Beyond The Moon was unveiled in 2018, which launched them to perform on multiple musical events such as Fosch Fest (Italy) along with sharing the stage with bands such as Korpiklaani and Pathfinder. After the 2020 release of the EP Lullabies Beyond The Moon, which contained three tracks from their debut album rearranged in an acoustic key, they are now ready to launch their new album Aqva in 2022. The track Depature Song,

Departure Song is a hymn to a rightful departure, the ability to just choose to leave when we find ourselves uncomfortable with our predicament, willing to accept that we could end up in pain, just elsewhere, but at least with the consciousness of knowing that at least it’s only us who can choose what pain to endure.

The second full-length features ten tracks of progressive, power, and melodic death metal influenced tracks that were mixed and mastered by Simone Mularoni (Domination Studio).

«We think Aqva will positively surprise our older fans and lead new ones, this record is much more diverse and has definitely matured in songwriting. The main goal of AQVA as a whole is to figuratively submerge the listener with a spectrum of themes, both musical and lyrical, related to water and its shapes. Water is the element of flow, it’s the substance that conceals, preserves, and washes all away. The lulling nature of a silent shore or a rapping rain is juxtaposed to the fearsome imagery of the undertow, riptides, and tidal waves. We tried to convey these atavistic sensations differently from track to track. The singles were chosen to showcase the variety of approaches to this theme», adds band founder Stefano Nüsperli.

Aqva, despite not being a real concept album with a story articulating itself throughout the tracks, touches its various topics through the various forms in which water manifests, be it a river, a storm or tears. The album deals with rather introspective matters, trying to give a new perspective on situations that Biriedir thinks their listeners will find relatable and hoping that they will maybe take shelter in their audio experience, using them as their own voice when only music can speak for us.

In preview to “AQVA”, Beriedir is sharing

Listen to “Departure Song” at the following links:

Visualizer: https://youtu.be/kN8ks9165Qo

Digital stream and download: https://bfan.link/departure-song  

Recommended for fans of Vision Divine, Dream Theater, Dark Tranquillity, Pain Of Salvation and Katatonia,

Track Listing:

1. At Candle Light (4:38)

2. Departure Song (6:05)

3. The Dove and the Serpent (6:46)

4. The Angel in the Lighthouse (6:10)

5. The Drowned (5:33)

6. Stormbound (4:19)

7. Arkangelos (6:58)

8. Of Dew and Frost (4:57)

9. Rain (6:46)

10. Moonlight Requiem (5:12)

Album Length: 57:29

Album credits:

All music by Beriedir

Artwork by Ludovico Cioffi

Recorded by Stefano Nüsperli

Mixed and mastered by Simone Mularoni at Domination Studio

Lyrics by Stefano Nüsperli

Link:
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Om Ulf Backstrøm (6707 Artikler)
Mitt hovedfokus er musikk som er basert på progressiv tenking. Jeg er på ingen måte ensporet innen musikksmak, i likhet med intensjonen bak prog. Sjangerbegrepet er egentlig temmelig uinteressant annet enn til å gi en pekepinn om hva slags musikk det er snakk om i en anmeldelse. Jeg søker god musikk for å utfordre meg som lytter. God musikk til å trigge mine musikalske smaksløker, og til å sette i gang mine refleksjoner. Da er sjansen stor for at jeg utvikler meg og lærer, noe som bør være drivstoff for et hvert menneske. Fordi det å lære og utvikle seg er noe som tilfører livet en nødvendig porsjon "krydder". Slikt krydderet finner man blant annet i musikk. Ikke overraskende mener jeg at progressiv musikk har den fineste "smaken". På den annen side kan musikk med eller uten progressive elementer være godt nok til hverdags. Til fest derimot holder bare rendyrket prog! Må jo også få med at jeg rimelig kritisk, og jeg mener at det lages mye prog som er i beste fall uinteressant, og faktisk mye som er pinlig dårlig. Heldigvis oppveies dette av ekstremt dyktige aktører som for eksempel: Flower Kings, Mostly Autumn og White Willow, for å nevne noen tilfeldig valgte.
Contact: Hjemmeside

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